The Other Psycho

2 04 2010

Carl Boehm in 'Peeping Tom'

Two films are released this week to mark the 50th anniversary of Alfred Hitchcock’s Psycho. The first is Psycho itself, re-released in all of its stab-happy, monochrome glory just in time for the Easter holidays. The second is Johan Grimonprez’s Double Take, a sly and elusive piece about the place of doubles both in Hitchcock’s work and in wider American culture during the Cold War.

But if Hitchcock’s most famous film is justly fêted for its innovative and visceral impact, then the work of another British director has, it seems, been overlooked. Michael Powell’s Peeping Tom was released just three months before Psycho, and covered much the same ground as the American shocker. Starring Carl Boehm and Anna Massey, it tells the story of a lonely, voyeuristic cameraman, who is obsessed with murdering women so that he can film their last moments. 

The reception that the two films received couldn’t have been more different. Hitchcock’s film played to packed houses and took a healthy 11 million dollars at the box office, while Peeping Tom was pulled from UK cinemas after just a week, in the wake of an unprecedented critical backlash.

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