Films of 2010

31 12 2010


And so, without further ado, here’s my pick of the best films released in the UK in 2010:

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Enter The Void – A Review

29 09 2010
Gaspar Noe, Enter The Void

It's all gone a bit Pete Tong... 'Enter The Void'

What happens to us after we die?: perhaps the oldest and most troublesome question known to mankind. A question, nevertheless, which Argentinian-French director Gaspar Noé (Irréversible, Seul Contre Tous) sets out to tackle with characteristic gusto in his intense new film Enter The Void.

Never one to shy away either from controversy or from mind-bending visuals, Noé casts his film as an unapologetic ‘trip’ movie, a staggering, high-concept piece that takes its cue from The Tibetan Book of the Dead as it recounts the premature death and ghostly wanderings of a young American in Tokyo.

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3 09 2009
Christ, it's 'Antichrist'!

Christ, it's 'Antichrist'!

When did you last walk out of the cinema? That’s a question often asked of film directors, critics and other cineastes. Well, personally, I can say that I’ve never walked out before the end of a film. I’ve sat through cranium-numbing Godard cine-essays, I’ve braved the worst of Jim Carrey, Steve Martin and Adam Sandler, I’ve stood manfully on the deck of the sinking Gucci-designed steamer that was Sex and the City: The Movie, all the while saluting and determined to stay until the bitter end.

You see, if you leave early you might miss something important. You might miss the best bit of the film! You might miss the one beautiful and profound moment of truth that the film-maker has to communicate to the world. And so, even if I have my doubts, I always stay put until the final credits roll.

Except… well, maybe once I did walk out. It was at The Showroom Cinema in Sheffield, in 2002, I think. The film was Audition by Takeshi Miike. In mitigation, I have to say that my sudden exit had nothing to do with the quality of the film. No, it had more to do with the rush of blood to my head and the queasy feeling in my stomach.

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